Michael Snow's work requires interaction from an audience for full impact. Last year we viewed his "Line Describing a Cone" work and had to move around the work and interact with it physically. This week's film required fixed attention. The previous film required only as much interaction as the viewer desired, whereas "So Is This" required the viewer to remain glued to the screen throughout the film so as not to miss a critical word. The group dynamic, listening to laughter and other reactions from the audience, binds us together in the shared experience that is going on solely inside our minds as we individually take in the words on the screen.
This experience is not unlike the iPod rave-like gatherings, where all members listen to whatever iPod media they choose in a collective dance environment. The room is silent and each in their own experience, yet at the same time all together, to collectively create a shared event common to the group.
I wonder if Snow could have predicted that the individually experienced, yet collectively shared, style of his work with show up in mainstream media culture? He is considered to be a renaissance man, and I would add a trend setter, having been born in 1929.
--Trisha
This experience is not unlike the iPod rave-like gatherings, where all members listen to whatever iPod media they choose in a collective dance environment. The room is silent and each in their own experience, yet at the same time all together, to collectively create a shared event common to the group.
I wonder if Snow could have predicted that the individually experienced, yet collectively shared, style of his work with show up in mainstream media culture? He is considered to be a renaissance man, and I would add a trend setter, having been born in 1929.
--Trisha
